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    <title>The Critical Times</title>
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    <updated>2007-10-30T21:35:04Z</updated>
    <subtitle>The experiences of a London watchmaker&apos;s assistant who finds himself in the most unlikely situations.</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type 3.2</generator>
 
<entry>
    <title></title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2007/10/post.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=107" title="" />
    <id>tag:www.thecriticaltimes.net,2007://1.107</id>
    
    <published>2007-10-30T21:34:52Z</published>
    <updated>2007-10-30T21:35:04Z</updated>
    
    <summary> Advertisement KEATING&apos;s COD LIVER OIL.-The Pale Newfoundland, pure and tasteless, the Light-Brown, cheaper and of good quality. The demand for these Oils, most highly recommended for their medicinal properties, has so greatly increased that Mr. Keting, being anxious to...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Advertisements" />
    
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  <table border="1" width="100%" cellspacing="0" bordercolor="#000000" cellpadding="3">
    <tr>
      <td width="100%" bgcolor="#E5E5E5"><font face="Arial Black"><a href="http://www.sensationpress.com/victorianadvertising.htm"> Advertisement</a></font></td>
    </tr>
    <tr>
      <td width="100%"><b><font size="5">K</font></b>EATING's COD LIVER OIL.-The Pale Newfoundland, pure and
        tasteless, the Light-Brown, cheaper and of good quality. The demand for
        these Oils, most highly recommended for their medicinal properties, has
        so greatly increased that Mr. Keting, being anxious to bring them within
        the reach of all classes, now imports, direct, the Pale, from
        Newfoundland, and he Brown, from the Norwegian Islands. - The Pale may
        be had in Half-Pints, 1s. 6d.; Pints, 2s, 6d,; Quarts, 4s. 6d. The
        Light-Brown, in Pints 1s. 8d.; Quarts, 3s, At 79, St. Paul's Churchyard.</td>
    </tr>
  </table>

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</entry>
<entry>
    <title>A Lyric by Lear (Nr. 12)</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2007/10/a_lyric_by_lear_nr_12.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=106" title="A Lyric by Lear (Nr. 12)" />
    <id>tag:www.thecriticaltimes.net,2007://1.106</id>
    
    <published>2007-10-30T14:51:08Z</published>
    <updated>2007-10-30T14:51:32Z</updated>
    
    <summary><![CDATA[From the whimsical works of the honorable Edward Lear. Taken from the easy to read, fun to peruse and utterly ludicrous:&nbsp; Book of Nonsense. There was a Young Lady whose chin, Resembled the point of a pin: So she had...]]></summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Fancies / Puzzles" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<img border="0" src="http://www.thecriticaltimes.net/images/inline/EdwardLear.jpg" align="right" width="180" height="181" style="border-width: 0; margin: 3" hspace="9">From 
the whimsical works of the honorable Edward Lear. Taken from the easy to read, 
fun to peruse and utterly ludicrous:&nbsp; Book of Nonsense.<br>
<br>

There was a Young Lady whose chin,<br>
Resembled the point of a pin: <br>
So she had it made sharp, <br>
And purchased a harp, <br>
And played several tunes with her chin.<br>
<br>
<i><font size="1">To the great-grandchildren, grand-nephews, and grand-nieces of 
Edward, 13th Earl of Derby, This book of drawings and Verses (The greater part 
of which were originally made and composed for their parents,) is dedicated by 
the author, Edward Lear (Source: Gutenberg)</font></i>]]>
        
    </content>
</entry>
<entry>
    <title>A Fable by Aesop - The Wolf Turned Shepherd</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2007/10/a_fable_by_aesop_the_wolf_turn.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=105" title="A Fable by Aesop - The Wolf Turned Shepherd" />
    <id>tag:www.thecriticaltimes.net,2007://1.105</id>
    
    <published>2007-10-30T14:40:54Z</published>
    <updated>2007-10-30T14:41:30Z</updated>
    
    <summary> olf, finding that the sheep were so afraid of him that he could not get near them, disguised himself in the dress of a shepherd, and thus attired approached the flock. As he came near, he found the shepherd...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Serials / Literature" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top">
<?php mp ("W"); ?> olf, finding that the sheep were so afraid of him that he could not
get near them, disguised himself in the dress of a shepherd, and thus
attired approached the flock. As he came near, he found the shepherd
fast asleep. As the sheep did not run away, he resolved to imitate the
voice of the shepherd. In trying to do so, he only howled, and awoke the
shepherd. As he could not run away, he was soon killed. Those who attempt to act in disguise are apt to overdo it. <font size="2"><i>Aesop's Fables, Translated by George Fyler Townsend. Source: Gutenberg</i> </font> </p>
</div>
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    </content>
</entry>
<entry>
    <title>Stalled</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2007/10/stalled.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=104" title="Stalled" />
    <id>tag:www.thecriticaltimes.net,2007://1.104</id>
    
    <published>2007-10-30T03:07:51Z</published>
    <updated>2007-10-30T03:10:07Z</updated>
    
    <summary> rchins are normally innocent although energetic criminals. They see every piece of food as their future property and and mischief as their personal calling. Urchins are young, ranging from 5 to about 12 years of age. Mostly the adults...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Urchin Patrol" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top">
<?php mp ("U"); ?>rchins are normally innocent although energetic
criminals. They see every piece of food as their future property and and
mischief as their personal calling. Urchins are young, ranging from 5 to about
12 years of age. Mostly the adults tolerate them and see them as a source of
entertainment. Some of the little ones have parents, some do not. The older ones
have been on their own for years even if they still have parents. It is sad to
see these children start innocently and end up either bitter, broken or quite
simply, dead. When a troupe of urchins invades an area the adults either become
vigilant or relax. One or two of the children are leaders, the rest are innocent
followers. When the leaders aren't around the adults relax. If however a
commanding little tike is spotted the grown ups bar their windows, close and
bold their doors and prepare for the worst. One such nightmare we've already
seen and is called Julius, the urchin emperor. He looks just like the others,
filthy and ready to commit mischief. This one, this tiny spot of bother is
different. He peers out into the world from under a torn cap and thinks he looks
bigger and bolder with that piece of cloth on his head. A clever one he is and
resourceful as well. If there ever was a future Moriarty then Julius would be
his original name. Come to think of it we do not know Julius's actual name.
Quite a common thing with urchins. They take on names of people they admire or
people they meet randomly. One wanted to call himself Nelson,&nbsp; but was
quickly ridiculed by Julius when he told the little boy that Nelson was killed
and shipped back to England in a barrel of brandy. Full of disgust the boy chose
to use Bob instead and Julius was still the all ruling admiral.</p>
]]>
        <![CDATA[<p>&nbsp;</p>

<p>It was one of Julius's schemes, one could tell by the careful choreography of
dispersed urchins around the small square. My vantage point was inside Hubbard's
watch and clock store, behind the counter close to the door. Unfortunately I
could not see all goings on because of incoming customers and a view obstructed
by merchandise. Whenever I could I tried to observe what exactly happened
outside, but I have to admit that some is guesswork and I had to fill in the
blanks here or there. Either way the result was the same and as would be
expected of Julius, quite exceptional.</p>

<p>&nbsp;</p>

<p>It all started around 7 in the morning. I had just opened the store and was
cleaning the store's windows when I heard the sound of metal on metal, as if
someone was pushing or pulling a sled over cobblestones. Quite frankly my first
instinct was to hold up the windows for the screeching sound might break the
glass. Perhaps I had been listening to Hubbard too long who ranted on about
divas who could break a wine glass with the sound of their voice. The glass
window did not break. I felt rather foolish and quickly looked around if anyone
had seen me. Quickly I ducked into the store pulling the broom after me and
before I had secured myself behind the counter I heard the noise again. This
time I could actually see where it came from. Two urchins were pulling a small
stall across the pavement and positioned it directly in the opening of our
square. With a stall that small and an entry way as large as ours the urchins
barely blocked the entrance. It looked quite natural sitting there, made of
pieces of wood that obviously were not meant for that stall but instead one or
more other objects that had fallen apart years ago. All in all it looked
convincing as something a peddler would use. The two urchins rummaged around the
newly created business opportunity and pretended to try to find the owner, as if
they had not just put it there themselves.</p>

<p>&nbsp;</p>

<p>After 5 minutes an older urchin appeared and chased the two younger ones
away. This much larger child arranged something on the inside, rolled down a
canvas construction that might even keep out the rain on a dry day and started
to setup whatever were his wares. At this point there is a gap in my
observations since the honorable James Dillarde, Esq. entered the store to
pickup his precious watch. God knows why the man was obsessed with American
watches. His argument was that the Americans had outdone the British by adding a
cover to pocket watches to protect it from wear and tear. This did not make much
sense to me until I understood that pocket watches were mainly used in America
by railroad workers. A clever mechanism it must be said, but cumbersome in it's
use and it completely hid the beautiful face. Even when the protective lid was
opened it would not always reveal the full dial but typically be half opened. I
prefer the British watches that are usually bigger and hang on ornately
decorated fobs from one's vest. Even though Mr. Dillarde is peculiar about his
watches he is a decent sort of gentleman and usually stays around to pick up
some local news. Given my current situation of self-confinement I could not tell
the good man anything of interest and instead I asked him about some of the
latest. News gathering goes both ways and Mr. Dillarde has no problem
volunteering his perspective on current world affairs. I was just being polite
that morning and was not actually all that interested in the good man's opinion
in the supply problems of our troops in the Crimean war. I nodded and agreed but
did not encourage him to continue. Luckily he is a good and careful observer and
figured out quite soon enough I had other matters on my mind. More importantly
he was not offended in my refusal to indulge in political bickering this time.
With a tip of the hat and many thanks for our services he took off, showing his
American watch to two unfortunate ladies who's only goal was to get fresh bread
and be home before the missus woke up.</p>

<p>&nbsp;</p>

<p>The view was dismal and I could barely make out what the new kid was doing in
the improvised stall. It didn't look like he was actually planning on selling
anything. Instead he rummaged and prepared and looked generally busy. Hubbard
had returned the previous evening from the opera and had left his opera glasses
in the workshop. Quickly I retried the surprisingly strong binoculars and used
them casually to peek through the shop curtains. Up close I could not discern
anything different than I had already noticed before. A tall lanky kid was
seemingly starting a day of sales, much like other merchant assistants do, with
the difference that there was no actual merchant in this stall. Even though
Julius was nowhere in sight, it clearly was one of his setups. Only he would go
through the efforts of assembling a complete stall for his schemes. Usually when
I see one of these plans come to fruition I would alert the people in the
immediate neigbourhood and we let the kids play until things get out of hand and
then we step in. Usually either a scheme ends in a massive urchin scramble or as
had once occurred applause after a rather inventive scheme involving a dog and a
stage play. Perhaps that one is worth mentioning in an upcoming Urchin Patrol.
This current set of events looked much more elaborate and more serious than
anything I had seen before and through my curiosity completely forgot to inform
the adults.</p>

<p>&nbsp;</p>

<p>Two new urchins appeared, small ones, who took up places on the opposite side
of the street facing the stall. At least that's what it looked like at first. To
my surprise Julius appeared with a large stack of paper and took up a spot next
to the lanky guy who was still bustling about the stall. Newspapers of sorts were
spread out in parcels over the stall's counter and various flyers were attached
to the beams upholding the canvas roof-like structure. To hold down a pile of
newspapers a stone was placed on top of each stack and after that Julius produced a
high stool and sat down quietly overseeing his domain. Normally peddlers and sellers scream details of
their wares to nearby customers and other potential buyers in Wales or Scotland.
To add more curiosity neither Julius or the tall kid said anything, at least not
visibly. By this time the store was moderately busy and by the time 11 'o clock
came about I had lost track of the activity outside. When finally the noon chaos
started in the clock store with the simultaneous sounding of all chimes, I had a
chance to observe up close what the urchins were up to. Normally I have my lunch
somewhere around the square but today I needed a better vantage point. Across
the street, almost directly opposite the stall is one of Fleet Street's numerous
printers. They have two benches directly outside the premises where
office workers rest and smoke. Due to their work with flammable materials no one
is allowed to smoke inside. I got there early with my lunch, which consisted of
two paper wrapped sandwiches. It wasn't difficult to pretend I wasn't watching
them, the hustle and bustle of Fleet Street is quite interesting by itself.
Occasionally I would throw a glance towards the stall where Julius and his
co-conspirator were pretending to read. This proved they were up to no good
since none of the urchins could read or write. Perhaps Julius could but if he
did he kept it well hidden. Next to me supplies were brought in and out on flat
carriages pulled by two large horses. Paper rolls went in and boxes came out,
presumably filled with paper. All this time I could not spot any additional
urchins that may have been brought in. Not that I could remember but I could
swear the two I saw earlier had been replaced by two different ones.<p>&nbsp;<p>I
reached over to grab the last of the sandwiches when a particularly large cart
barreled out of the building. It took a sharp right turn into Fleet Street and
nearly took the bench I sat on with it. When I managed to steady myself I
noticed that Julius was still quietly reading but the other tall kid had disappeared.
To my right a terrible crash made people turn and watch how a large barrel had
fallen into the path of the horses. The driver panicked and attempted to pull
the horses around but one could not help but hit the barrel with its front legs
and fell down. The other horse moved on and tilted the cart on its side throwing
the driver off his seat. In all the commotion I managed to remember paper. They
make paper in the factory behind me. Julius had not moved but where was the
other kid? I stood up, turned around the corner into the factory from where
people were streaming now to see the upturned cart but no sign of the lanky
urchin. I didn't need to look any further because whatever Julius was up to it
was done and over with. The two little urchins who had stood watch were helping
Julius close up the stall. They were pulling a small cart on wheels and in it
they dumped whatever flyers and other paper they had out on display. Without
thinking twice the stall was abandoned and the three urchins casually walked
away leaving the stall where it stood.&nbsp;<p>&nbsp;<p>Thankfully the driver of
the big cart was unharmed but the horse that hit the barrel was clearly lame. It
stood with it's head down a bit off to the side with the other horse trying to
get back onto it's legs. Constable Jones came running around a corner cursing
and pushing the onlookers away. The factory workers who now realized they must
be missed by the floor manager were slowly trickling back into the factory.
Julius could have done one of two things, either he had the tall kid steal
something from the warehouse or had something put in. Either way my guess was it
should soon be apparent what this was, since his usual efforts included loud and
visibly obvious pranks. He really only wanted to show he was capable of pulling
off such a stunt and there was never any harm. I'm sure he regretted that the
horse was hurt, but then again you never really knew with that kid, maybe he was
only interested in the effect the barrel would have and saw the horse as
something incidental. It was 12:30 right now and I remained there on the bench
till it was one o clock. Nothing happened and everything seemed business as
usual. Whatever Julius's stooge had carried in or out must have been small or
something that would not be quickly noticed and he must have known exactly what
it was he was after. Almost disappointed I returned to the store where the first
customer was already waiting with a sorry looking wall clock. 
</div>

<p>&nbsp;</p>

<p>Nothing happened for two days and I had quite forgotten the incident. On the
evening of the second day after the bizarre events I noticed two urchins
harassing a peddler who sold various candy.&nbsp; They were waving bills in his
face and pointed at the candy. With nothing else to do and being curious why the
urchins were paying for candy with paper money, I strolled over. When I reached
the trio one of the urchins recognized me and shouted to the other kid:
&quot;It's Jimmy, run!&quot; The both of them made off like hunted foxes leaving
behind a crumpled bills. I picked it up and as I was unwrapping the paper I
became convinced that to my astonishment I was looking at genuine paper money.
At least at first sight. The size, weight and overall appearance seemed
authentic but where there would normally be a picture of queen Victoria, a badly
drawn version of Julius's face appeared, grinning an enormous grin. </p>

<p>&nbsp;</p>

<p style="text-align: center">
 <img border="0" src="http://www.thecriticaltimes.net/images/end.jpg" width="83" height="21">
</p>
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    </content>
</entry>
<entry>
    <title>Pocket Mouse</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2007/10/pocket_mouse.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=103" title="Pocket Mouse" />
    <id>tag:www.thecriticaltimes.net,2007://1.103</id>
    
    <published>2007-10-29T04:03:43Z</published>
    <updated>2007-10-29T04:04:32Z</updated>
    
    <summary>erhaps it can not be withheld this guilt I carry. I have told you of the terrible fate of our dearly beloved barmaid Sheila who was so terribly mutilated. What I have not told you is that I am guilty...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<p><?php mp ("P"); ?>erhaps it can not be withheld this guilt I carry. I have
told you of the terrible fate of our dearly beloved barmaid Sheila who was so
terribly mutilated. What I have not told you is that I am guilty of her murder.
There, it is said. It is out into the world and can not be taken back.
Ironically it did not take much to let the knowledge free, just a couple of
simple words on paper, written down at my desk a typical dreary London
afternoon. For days, even weeks I have not been able to decipher the events
before. Life went on strangely enough. You did not see my name in the Strand or
the Times, no arrest was posted. The store became my prison and the building
itself my safe haven as well. This will soon change to be sure. Why then my
confession? It was because of a mouse, a singular mouse. I will tell you the
tale of how I met this mouse.</p>
]]>
        <![CDATA[<p>&nbsp;</p>

<p>I was busy writing a different text in fact. At the time I was finally
committing to paper what happened to that curious fellow who walked into the
store to have the name of his beloved wife erased from his pocket watch. It must
have been indeed December 15th 1886 if I remember correctly. But that story must
wait for another day. Soon, perhaps. They say time works in a different way in
prison. Not that I am at this moment in prison, but my small room upstairs from
mr. Bartlett's clockworks and watch repair shop feels like that at the moment.
It was dreadful outside when I wrote the piece. Rain was sleeting from the roof,
sloshing around the gutters and giving Hubbard a terrible fright for the safety
of his greenhouse. No, no thunderstorm, nothing so melodramatic. But we don't
need such effects to feel the oppressing city around us, at least not in London.
Quite honestly I do love this weather. I like the results London weather can
have on its inhabitants. Whenever the heavens come down on the citizens of this
grand metropolis, the response is always one of comfort making. In fact right
this minute I can hear our maid Helen (better not call her maid in front of her,
she is our lady in waiting) putter around her room. The sound of clattering
indicates she is about to put more coal on the fire and that usually means
knitting. Olivia is in there with her and the two of them keep at it for hours.
That's not the comforting part; the magnificent part is the in-betweens.
Knitting needs scones and fresh coffee and perhaps some marmalade on toast.
Every hour or so, sometimes more often, Helen or Olivia will leave the room and
go to the kitchen to pick up something. If I behave I can participate. Not sure
what 'behave' means, but when I do I'm allowed part and parcel of the proceeds
of an afternoon of knitting. A scone here, perhaps some coffee or hot chocolate
there. Can't say that I have left my room much other than to feed and use the
lavatory. When otherwise I loved leaving the sometimes oppressing watch maker's
shop, recently I can't bring myself to go out and enjoy the city. Being guilty
of murder does not have much to do with this, that is a matter that is currently
beyond the approach of the police force. One would think this gives a person
some peace of mind, but it rather has the opposite effect. The images and events
are burned in my mind and as opposed to other memories that fade away these
become stronger and stronger. Still I can not write it all down and have to
resort to use a small mouse to divert my and more importantly, your attention.
</p>

<p>&nbsp;</p>

<p>It must have been around four according to my mantle clock, fixed and
restored by yours truly, that I thought it be time to venture out myself and
anticipate the next scone opportunity. Hubbard was nowhere to be seen or heard,
and that suited me just fine. I could not be around the old man, not after what
happened. But enough of that, I need to trust that to its own telling. The
kitchen was deserted. A small fire smoldered in the stove ready to be awoken for
scone or coffee duties. A tiny sound reached my ear but faded so fast I could
not determine what it was or where it had come from. Like clockwork, Helen
stepped into the kitchen and proceeded to work a proper fire. &quot;Jeremy, you
here, how do you know when I'm coming&quot;, Helen said in her heavy Russian
accent. &quot;You're too predictable&quot;, I answered. &quot;No no, not good.
Russian women are never predictable, that is only what we want you to
believe&quot;, came the brisk retort. There it was again, the tiny sound. Helen
heard it as well and we both swiveled our heads to find the source of the hiss
or what almost sounded like a sneeze. Helen was quicker than I was, she knew the
kitchen well and figured out where the sneeze came from. She darted towards the
pantry and nearly strangled a bag of flower with her powerful clasp. A mouse
darted out letting out a loud sneeze. The creature was covered in flower and
caused puffy clouds to bellow behind it as it ran from the pantry over the
cupboards and out of the kitchen. Were it not for the trail of flower we might
never even have noticed where it went. As it was, the poor creature left a clear
trail for us to follow. It must have known the house well, better than us even
because the flower trail disappeared into the wall between the washing room and
Helen's bedroom. A stream of curses left Helen's mouth and even if I understood
Russian I would not dare to reproduce them here.</p>

<p>&nbsp;</p>


<p>We heard a giggle. Olivia was now laughing out loud in Helen's bedroom and it was Helen who stormed past me towards the laughter. &quot;A puffy mouse ran past&quot;, shouted Olivia, &quot;he sneezed, did you hear that too, he sneezed!&quot; she yelled as if it was the funniest thing she had ever seen. Helen did not agree. &quot;But why did you not catch the mouse?&quot; she said, &quot;He is ruining my pantry&quot;. &quot;Make him come back, he's funny&quot;, said Olivia. &quot;Come back? We need to get him out of the house&quot;, Helen now nearly shouted at the little girl. It took some calming to get the maid, nee lady in waiting, to pick up her knitting needles again. I told the two that I would fix the coffee this time, not mentioning scones knowing that there were completely outside my set of cooking skills. I returned not half an hour later with coffee. The two of them were contently knitting now with Helen spying the floor boards and any other place a tiny mouse could re-surface. Sensing the mouse emergency to be over I made my way to my own room and attempted to continue the horrible telling of Sheila's death and my involvement. I left the door pried open in case Helen decided to attack whatever she thought she could see creeping around the room. We've had incidents of some of Hubbard's more exotic animals making their way out of the vivarium and into our living quarters. I had for that purpose permanently in my room: one butterfly net, one large empty jar, one snake stick (Indian made) and patent leather gloves. Nothing happened however. The afternoon lingered on with no improvement in the weather or the coffee. I could not put one word on paper. How does one write in poetic phrases how one committed a horrible crime? There was that sneeze again. This time much closer than during the daring prison break from the kitchen. At first I investigated my desk. The mouse was surely not hiding behind my bottle of ink. That would be too clever, even for a mouse. Hiding in plain sight? Surely not. The sound seemed to come from much lower to the ground. I leaned slightly left and titled my head to see just around the corner of the door the tiny eyes of the mouse glaring at me. He wasn't even afraid and just sat there looking at me as if I was his only possible savior. He must not have been very familiar with my room and the animal trapping gear in it. What an utterly strange creature.</p>

<p>&nbsp;</p>

<p>The little thing moved a little bit more into the room, all the while looking
at me to see what I would do. I did nothing. Animals don't necessarily like me
but they are never afraid of me. That goes for the two scorpions in the attic as
well. The mouse was now completely inside my room and what is more it had its
left hind paw entangled in a bit of yarn that was trailing behind it. In fact
when I moved to look I could see the string of yarn reach all the way across the
landing into Helen's room. She must have noticed the same thing at the same time
because a yelp froze both myself and the mouse. The mouse came around before I
did and it made an interesting and quick decision. It had decided that the
safest place in the entire house would be upon my person, inside my left breast
pocket to be exact. Not such bad reasoning for a tiny creature. It bolted, yarn
in two, up my trouser leg, onto my arm and darted directly into my pocket. I
don't know why but it suddenly occurred to me why there was a hole in the vest
pocket. It must have been created by the same trespasser who was now occupying
it. Helen did not see the mouse, all she noticed was her string of yarn going
into my room and into my vest somehow. She very nearly hit me over the head with
the fire poker and I could only barely get out of her way knocking over an old
vase holding my umbrella and the snake stick. I tried pushing her away from me
and managed to sit her down on the bed after being bombarded by a raw stream of
Russian curses. &quot;I will kill it!&quot; she yelled. Olivia had also made it
over to my room and was standing in the doorway. &quot;He's fast and he's
clever&quot;, Olivia giggled. &quot;He likes you&quot;, she added. My first
concern was to get Helen into a reasonable state and for that I needed her to
understand that the mouse was no longer a concern. &quot;Look&quot;, I told her,
&quot;I've caught the mouse; he is no longer a threat to you. I will keep him
here and as long as he is here you know he is not in your kitchen or anywhere
else for that matter&quot;. Truth be told I am a coward when it comes to killing
animals and I could not imagine drowning the poor sod. Not to mention that
Olivia would hate me for it for the rest of my life. &quot;Here I will put him
in this box and he will not bother you anymore&quot;, I said as I took the
little mouse and transferred him into one of the empty butterfly boxes we
sometimes get when we get pupae from South America. Helen calmed down somewhat.
&quot;If I see him in the kitchen he's dead&quot;, she added. &quot;Holes, you need holes in the box Jeremy, or he
can't breathe&quot;, Olivia said pointing at the closed butterfly box. Helen
stood up, she cut the string of yarn with some scissors she had taken to deal
with the mouse and stormed out of the room. I opened the box and took out the
mouse, which was still tied up in some yarn. It let me carefully untangle its
paw and when I was done it just sat there on my hand. &quot;What are you going
to call him Jeremy?&quot; Olivia asked. It had not occurred to me that I had
acquired a pet but with Olivia now hovering over the mouse it started to sink in
fast. Without thought I blurted out: &quot;Max, I'll call him Max&quot;. No idea
where that came from. It was one of those instantaneous thoughts that one can
never quite explain.</p>

<p>&nbsp;</p>

<p>And there you have it, the arrival of Max the pocket mouse. In fact from then
on he preferred to stay in and around my vest pocket whenever possible. I had to
take some precautions however. From some coffee filter paper I fashioned a
number of small cup-like constructions I could fold into my pocket to keep the
mouse from soiling my garment. Not that that much happened. Most of the time he
was asleep in there, sometimes poking his little head out for some air or
entertainment. Even the customers didn't mind. Some even greeted both me and the
mouse when they arrived with their clocks and watches. When he is not residing
in my pocket he lives in his own house made from an old clock box, those are the
ones we store old travel clocks in. I made him a little door he can push open
when he wants to leave or enter. Gives him a bit more privacy, although God
knows what a mouse needs privacy for. Helen has not made peace with Max an he
usually ducks away when she walks past scowling at him. I've thought of training
him to inspect clocks from the inside when I can't really open them or when they
are too fragile. Some customers would not mind but most come in with raised
heads and upturned noses who would not tolerate even a cat looking at their
precious heirlooms. With Max in my pocket I could finally write down the
terrible events that had past. Not that this little mouse will scare away the
hangman. He's quite clever with yarn, but rope is a bit too much for him I'm
afraid.</p>

<p>&nbsp;</p>

<p style="text-align: center">
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    </content>
</entry>
<entry>
    <title>Julius</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2007/06/julius.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=81" title="Julius" />
    <id>tag:www.thecriticaltimes.net,2007://1.81</id>
    
    <published>2007-06-19T06:32:43Z</published>
    <updated>2007-06-19T06:33:21Z</updated>
    
    <summary>ven amongst small children you can find sentiments of camaraderie, fierce loyalty, arch enemies and any kind of social interaction you would expect from adults. And then there is Julius. Julius, who&apos;s full name is Julius Struthers, is a small...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Urchin Patrol" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<p><?php mp ("E"); ?>ven amongst small children you can find sentiments of camaraderie, fierce
loyalty, arch enemies and any kind of social interaction you would expect from
adults. And then there is Julius. Julius, who's full name is Julius Struthers,
is a small kid with large ambitions. He rallies the urchins around him,
organizes them in small armies and in general treats them as his personal
arsenal of mayhem. The boy is good, he knows how to lead even though he's only
10 years old. True, he operates his improvised army on rations of candy and
promises of anything an urchin's little mind can conceive. And more. Fame and
fortune means nothing to these scrawny dirty roaches. Food they need, alcohol
they prefer and in between they like to cause trouble from one end of Fleet
Street to the other. Julius is their trouble master and they trust him to
organize the most splendid mischief this side of London has ever seen. And he
does. His plans are elaborate. Some of the stunts pulled would make professor
Moriarty blush and leave Holmes in total despair at home sucking his pipe.
Julius understands the power of a pack of urchins behaving as urchins do. If you
were to spot a man leaning against a lamppost head ducked deep in the collar of
his coat, staring at a shop window, you would draw the conclusion that this man
is up to no good. Seeing an urchin do the same thing you would perhaps draw the
same conclusion that the little tike is up to no good, and you would be right. But
that's expected from them and that's where Julius came in. </p>
]]>
        <![CDATA[<p>&nbsp; </p>

<p>Julius was in it for the sheer achievement of it all. Even though he stood to
gain considerable amounts of goods from some of his plans, the moment the plan worked he was done. Most
of the time his mind would be racing to construct the next scheme, and a mighty
scheme it would be. Mind you we are still talking about small children. A mighty
scheme for urchins is to make Jones's horse sneeze. Every 5 minutes. I'm sure
you are thinking that this is rather innocent. It is, the horse recovered quite
well and Jones's head returned to its normal color about an hour later. Making
the horse sneeze was just the prelude, the dress rehearsal. When the front of
the animal proved controllable, Julius started concentrating on the other side.
For weeks he tried various herbs and spices, plants and vegetables in all 
kinds of combinations to get the desired effect. For his test subject he used Ms. Grub's cat, a fat
slow moving specimen of feline fur on velvety feet. At first nothing happened to
the cat. It was perhaps a little more irritable than usual, but since the animal
was considered 'temperamental' anyway, a term frequently used by Ms. Grub, she
did not pay much attention. Only during the last two weeks when the usual
purring became interrupted with either a loud burp or a long lasting breaking of
wind, did Ms. Grub start to investigate. It was already too late. By then Julius
had perfected his recipe and was onto bigger things. How he managed to sneak his
trysels into the cat food we will never know but it must have been one of his
smaller master strokes because Ms. Grub never noticed. It took quite some time
before the cat returned to normal. The last we noticed of the cat's intestinal
problems was when I was standing around the front of the store waiting to pick
up some fabric Hubbard needed for a display box. The cat had been roaming around
my legs and whatever I did, it would not go. All of a sudden the cat made a
noise as if it had the hiccups. It sat on its hind legs and stared into space
with eyes contemplating what its body would do next. With the loudest sound ever
heard from an animal the cat let loose. The force of the air knocked the poor
animal over and an immediate stench of rotten eggs and boiled leaks permeated
the room. All I could do was shout to Ms. Grub that I would return later because
it was already past my lunch break. The poor animal could not even get up
anymore, or rather it had decided to give up and wait until its body had
indicated when all was well.
 </p>

<p>&nbsp;
 </p>

<p>We should have suspected what was going to happen next. First a horse
sneezing its tiny brain out, then a cat producing more methane than Welder's
distillation experiments. Julius waited. He waited long enough until we had
forgotten the cat incident and long enough for Jones's horse to recover from a
nervous tic that would make it raise its upper lips every time Jones would take
out his handkerchief. The full story was later told to me by Sebastian, who in
this particular case turned out to be an innocent bystander. Julius had trained
the urchins to create a network of stooges around Jones and his horse. He needed
several minutes to feed the horse enough of his mixture for the desired amount
to be digested. Jones and his horse slumped through our end of Fleet Street and
as per usual stopped at the entrance to our alcove. Jones would go into the
bakery and buy a scone or other such pastry. It's a miracle the horse could drag
both Jones and his carriage around town. Inside the store Jones had a clear view
of Fleet Street through the bakery's large windows. Always the horse would stand
there, head slightly down, contemplating the exact nature of Newton's first law.
From where Jones was standing in the shop, he had a perfect view of the entire
front of the horse. Julius had calculated that if he could make the horse stand
still but move its head down just a little more, it would seem as if the animal
had discovered a flaw in Newton's first law and was contemplating the best way
of writing e rebuttal. The horse could not move too much. One step forward or
one step backward and Jones would know. His exact ritual and the many years of exercising
its precise schema would certainly show if there was anything out of the
ordinary going on. Julius had tested this out in fact. Exactly a week before he
had squeezed himself against the wall and inched himself towards the horse.
Jones's horse knew all the kids, he could smell one apart from the other a mile
away. This time Julius crept closer as Jones was in the shop and at the
opportune moment stuck a cigar in the horse's mouth. The horse did nothing, kind
of chewed on it a little bit. Before any innocent bystanders could even start to
open their mouths Jones was already on his way to see who had done this. Julius
was of course nowhere to be seen, but the test had confirmed that you did not
mess with Jones's horse.
 </p>

<p>&nbsp;
 </p>

<p>It was on a Saturday morning and Jones as usual parked his carriage with
blurry eyed horse next to the bakery. Slowly he walked in and started
investigating the contents of the jewelry box as he called it. Julius crept
closer with a bucket. The bucket was completely closed off at the top with some
cloth and out of the top stuck a long straw. Julius had coated the top of the
straw with sugar and was now dangling the end of it below the window frame. The
horse noticed the straw and slowly moved its large and tired head downward.
Right at that moment an urchin entered the bakery and asked for a carrot cake.
Mrs. Fineley, the baker's wife looked round Jones and with a contemplative voice
told the urchin they did not sell carrot cake. This was the point where Julius
managed to have the horse take a few long sips through the straw. Jones luckily
takes forever to pick his pastry for the day. Not half a minute later another
urchin casually walked into the store and rapped his knuckles on the glass
display case. D'you have carrot cake? The kid asked. &quot;What is it with you
kids and carrot cake today?&quot; asked Mrs. Finely perturbed. Without saying a
word the urchin turned around and walked out. Jones raised his cap and scratched
his head. &quot;I tell you these kids play the strangest games these days&quot;,
he said. The horse outside was clearly enjoying whatever Julius was feeding him.
In walks another urchin. This time Mrs. Fineley cuts off the little kid and
says: &quot;let me guess, you want carrot cake&quot;. With an innocent face and
a clear voice the little kid says: &quot;No m'am that would be disgusting&quot;,
and walks out of the store. At this point both Jones and Mrs. Finely are looking
at each other with a mix of annoyance and confusion, which is a good thing
because had they looked out the window they would have seen the horse taking
very long sips through Julius's straw.&nbsp;
 </p>

<p>&nbsp;
 </p>

<p>Operation 'Jonesing the Horse' was considered a complete success. Julius
crept away as soon as he heard the bakery's store bell ring for the sixth time,
indicating that the third urchin had just left the store. On cue the urchins
spread out and took up positions along Fleet Street to witness the results of
Julius's scheme. They did not have to wait long. The horse looked fine, perhaps
a little more active than was usual on a Saturday morning. Calmly Jones steered
the cab into the slow moving traffic, where various other carriages carried
courting couples on their leisurely way towards social obligations or perhaps a
museum. Wares were sold on the pavement and pretty much anywhere where there was
space. Peddlers did not even need that and would carry their merchandize all
along Fleet Street and beyond. Sebastian, who recounted these events told me
that it took longer than expected for the chaos to ensue. The horse was already
out of sight from where he was standing, but the sudden outburst of unmistakable
sound easily traversed all the way to his location. Carriages instantly sped up
to get away from the sudden sewer stench covering a large part of Fleet Street.
Eyewitness accounts tell us of people collapsing to the ground from sheer lack
of oxygen. The peddlers ran for it, dropping their merchandise. The courting
couples closed any doors and windows in their carriage. Those unfortunate enough
to be in an open carriage grabbed their faces or even jumped out of the moving
mobiles. We never did find out what Julius put in that bucket. We did notice
that ever since that accident Jones's horse wears a long mantle covering it's
entire upper body and most of all its rear end.
 </p>

<p>&nbsp; </p>

<p style="text-align: center">
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</entry>
<entry>
    <title>Hound</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2007/05/hound.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=80" title="Hound" />
    <id>tag:www.thecriticaltimes.net,2007://1.80</id>
    
    <published>2007-05-16T03:29:45Z</published>
    <updated>2007-05-16T03:30:39Z</updated>
    
    <summary> In yesterday’s London Times the following ominous message appeared. ** It has come to our attention that numerous citizens of London have observed a large animal resembling a wolf-like hound. Scotland Yard is not officially charged with finding the...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="News and Events" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top">
<?php mp ("I"); ?>In yesterday’s London Times the following ominous message appeared. ** It has come to our attention that numerous citizens of London have observed a large animal resembling a wolf-like hound. Scotland Yard is not officially charged with finding the animal or creature, but we are investigating the links between these sightings and two recent murders. It is suspected that the animal is not in fact a canine but instead of a large cat type. This based on reports of a long tail, longer than any dog would possess. If you have any information that can shed light on the nature of the animal we ask that you report this immediately to one of your local police constables. ** Strangely enough, it was printed on one of the last pages, as if whoever sent this out for publication wasn’t sure about how it would reflect on the Yard. You can not really keep something like this quiet, especially not in a city where even the smallest news snippets fly through the air from street to street. Not that you needed to rely on gossip, the paperboys figured out what was really important within minutes and started shouting: “Murderous monster loose on the streets. Read all about it!”, or “Who will be next? Dangerous animal on the prowl! Get your news here!” When you tell the public that there might be a small chance that perhaps some people have seen something, then you can bet that hundreds more will definitely see something the next day. And indeed, Scotland Yard was flooded with scores of people crowding police headquarters with their alleged sightings of the horrible beast. We had our own little brush with the monster here in Fleet Street. Or I should say with a possible victim. Sheila Banebridge, a local barmaid was found with large lacerations in her neck a couple of days ago. People get murdered in London a lot and we don’t usually notice. Although we all knew Sheila and she didn’t deserve this, nobody does. 

A bit of a rotund lass she was, always up for a dirty joke or a well place double entendre. She would slap you on the back and return the joke twofold in your direction. All in all she wasn’t the fragile kind and that added to the mystery. Whatever had happened to her was done with such overwhelming force that the medical examiner couldn’t provide a clue as to who or what the attacker was. Sheila could defend herself, in fact that was one of the reasons she was hired at the pub, because she wasn’t shy of maneuvering a difficult customer out the door. And out they went no problem there. What attacked her that night? Inspector Davies wouldn’t comment he wasn’t to sure about the case himself. Not that he knew much, he wasn’t assigned to investigate. All that he was willing to divulge was that someone or something had done such damage in one powerful move that she died instantly. Her trachea was almost completely removed with that blow, or stroke, or whatever it was. We’re all on edge and the news about the hound did not help. The air is tense people can not think of much else. It is dark but no one is sleeping well tonight.
</div>

<p style="text-align: center">
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    </content>
</entry>
<entry>
    <title>Have you ever</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2007/05/have_you_ever.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=79" title="Have you ever" />
    <id>tag:www.thecriticaltimes.net,2007://1.79</id>
    
    <published>2007-05-14T04:42:45Z</published>
    <updated>2007-05-14T19:54:03Z</updated>
    
    <summary> ave you ever stood on the edge of your doorstep looking back at your home and wondered if you could leave it all behind in a flash? Have you ever? Perhaps there will never be such a situation, perhaps...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top">
<?php mp ("H"); ?>ave you ever stood on the
  edge of your doorstep looking back at your home and wondered if you could leave
  it all behind in a flash? Have you ever? Perhaps there will never be such a
  situation, perhaps you are blessed. Or perhaps you want this desperately to
  happen but the occasion hasn&#8217;t presented itself. There is finality to
  this possibility, a chance things might turn out much better. There is a
  chance, a chance you will never be the same again. Maybe you have done this
  very thing countless times and you&nbsp;wonder what could possibly be
  extraordinary about this thought. However. Have you ever entered your home
  and thought: everything is gone, nothing is the same anymore, this is not
  mine, and there is nothing here anymore that belongs to me. Today was such a day. One could say: I left; I left all that I knew behind.
  One could say poppycock and argue nothing changed. Everything is still there.
  The store, the clocks, the watches, the endless ticking and chiming. The
  small library crammed full of books, most of which I will never read. Nothing
  perceivably different can be observed, not even with the most powerful
  magnifying glass. And yet, and yet everything is different. I look around and
  can&#8217;t connect with a single item I can see, touch, hear and smell. The
  delicate tools I&#8217;ve used for more than a year now are meaningless. They
  exist in a world that is physical yes, but could have not been further away
  from my reality. Why these vague and utterly diabolical hints at the
  grotesque, the unimaginable? Have I been robbed of all my senses? Are the
  walls now talking to me and do I hear voices around me telling me the world
  has ended? No, nothing of the sort. I will, with great difficulty recall and
  retell the events that have passed ever since my old mentor Mr. Hubbard
  opened the trap door leading down to the phantasmagorical Bibliotheca
  Echidna. Having only been there once, and only briefly, I was not much
  impressed other than wonder who and why had created such an elaborate underground
  palace of private entertainment. For that is what I thought it was then, a
  manifestation of minds too curious to be satisfied with trivial mechanisms. Perhaps
  the richly decorated underground lobby was nothing more than an even more
  exclusive replica of one of the numerous gentlemen&#8217;s clubs that were
  ever so popular these days. Granted, I was curious then, but I did not expect
  the inhabitants of this underground labyrinth were serious, deadly serious. 
</div>

<p>
Forgive me, dear reader; it
  has not been long since I emerged, physically unscathed yes, but mentally in shambles.
  You will permit me to rest a while before I commit to paper all that I have
  seen. Currently I would not be able to describe by any means those things and
  people I encountered. Those endlessly moving paintings of Dr. Halter, whose
  understanding of light and dark can not be put into words alone. How will I
  convey the depths one plunges into after just one brief glance? Light, yes,
  light, that is the same at least. Down there, light takes on a different form.
  It is alive and has its own mind and agenda, it wants to reign and attach
  itself to everything. It fights the dark but can not win. That is what Dr.
  Halter understood. His paintings only work there, they must be observed in a
  room with light made for just one painting, for one purpose. Perhaps this is
  true for all that I saw and lived through down there: it can only exist
  there. But what does that leave me? I have the light of above, of the real
  natural sky. The light that is still mine, that thing that has remained the
  same since I left. Perhaps the inspector can help. Unlike myself,
  a person who is now allowed below beyond the lobby, the inspector can not go
  into Echidna beyond the doors. This is most fortunate; perhaps he can help
  understand why things are different down there. He has not been infected; he
  has never been that deep. But what am I saying, how can you, dear reader,
  follow all this. I speak in riddles and riddles not even clear to myself. We
  will meet again, yes we shall indeed and maybe then I can elaborate.
  Eternally tired. Must sleep until this mental fever is no longer raging in my
  brain. For now I bid you a good day.
</p>

<p style="text-align: center">
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    </content>
</entry>
<entry>
    <title>Inflammatory Language Syndrome</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2006/12/inflammatory_language_syndrome.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=78" title="Inflammatory Language Syndrome" />
    <id>tag:www.thecriticaltimes.net,2006://1.78</id>
    
    <published>2006-12-25T21:30:43Z</published>
    <updated>2007-02-21T07:48:52Z</updated>
    
    <summary> esterday afternoon, on my way to our faithful supplier of metals, parts and watch oils, I overheard a conversation between two nouveau medicants. Apparently the topic of discussion was the influence of physical ailments on the mind. One of...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top" style="width: 540; height: 869">
<?php mp ("Y"); ?>esterday afternoon, on my way to our faithful supplier of
metals, parts and watch oils, I overheard a conversation between
two nouveau medicants. Apparently the topic of discussion was the influence of physical ailments on the 
mind. One of the healers furiously claimed no such thing existed and the other 
furiously insisted that his college had not read the latest journal articles. 
Giving his argument more force, the pedant started to cite a number of cases in 
which unusual and rare afflictions contracted in the tropics, completely changed 
one's behavior and personality. With confidence the medical man prophesied that 
parasites of the smallest kind, can take over a grown adult's thought patterns 
and distort for selfish reasons. I only caught some of their conversation, but 
one has to ask where our nation's physicians get their medical training.</p>
]]>
        <![CDATA[<p>&nbsp;</p>

<p><i>One first turns a slight haze of purple, with blotches of green. Those are 
but one of the first symptoms. It is a tragic affliction that can only end but one way. After 
the first symptoms of slight discoloration, more let us say intrusive 
maledictions surface. It has been known to completely change the appearance of 
those afflicted with ILS, short for Inflammatory Language Syndrome. First 
one only sees the purple countenance and greenish blots. Then, when innocent bystanders are completely 
captivated by the change in appearance, the sufferer will most likely start to 
use clever language in order to subdue the intended victims. This of course in 
order to transmit the parasite to a new host. Time does not matter in this 
process, for the sufferer will use all of his or her energy to pass the decease 
on to others. There have been bystanders where an instant case of Tourette's was diagnosed in those 
directly observing the poor ILS patient. The change in 
appearance in the following stages of the sudden onset of the syndrome are quite 
appalling and certainly leaves the patient utterly shameful. Most 
transformations resemble those also found in the strange cases of high energy 
dissipation disorder, a high upper palate and 
an overall mouse like look. Do not let this harmless 
appearance lull you into believing the syndrome is benign or harmless. Let ye be 
warned! After enough shame, the patient's hormone levels will increase, 
triggering the final stages of the syndrome. At this point we do not speak of a 
syndrome anymore but in fact of a full medical illness, diagnosed as both an 
clinical 
disorder and a physical aberration in the lycanthropy area. Under most 
circumstances the progression of physical manifestations is now too fast for 
urgent medical care to take control of the situation. If the final stages of ILS are not manifested in a controlled environment the patient might not be well 
enough to find medical attention. Do not approach the sufferer, for this will 
push the hormone levels over the hill. Do not attempt to reason with said 
sufferer since this will most likely engage
a second stage of the first phase of ILS.</i></p>
<p>&nbsp;</p>
<p>Not sure if this conversation was serious or not I decided to walk along and 
ask Dr. Roberts later if he had heard of this. Although, perhaps I 
should not endeavor to make myself more ridiculous than the two gentlemen must 
have if they are true medical man with potential careers ahead of them.</p>
</p>
<p></p>
<p></p>
<p></p>
<p></p>
<p>&nbsp;</p>

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</entry>
<entry>
    <title>At Leng&apos;s Plateau</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2006/09/at_lengs_plateau.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=77" title="At Leng's Plateau" />
    <id>tag:www.thecriticaltimes.net,2006://1.77</id>
    
    <published>2006-09-06T05:13:52Z</published>
    <updated>2006-11-24T02:53:42Z</updated>
    
    <summary> s expected, the tiny form of Mr. Leng the peculiar barber stood quietly waiting in Hubbard&apos;s shop as we came back from the greenhouse. The blind old man did not move a muscle as we approached and simply stood...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top">
<img border="0" src="http://www.thecriticaltimes.net/images/initials/small/A.jpg" align="left" width="70" height="95">s expected, the tiny form of Mr. Leng the peculiar barber stood quietly waiting 
in Hubbard's shop as we came back from the greenhouse. The blind old man did not move 
a muscle as we approached and simply stood silently as if waiting for something. 
Olivia had remained behind and was still watching the underwater wildlife, most likely nose 
pressed against the glass and talking to the funny little eels. One of these 
days she would surely fall into the stream in an attempt to get even closer to 
all those amazing animals. Helen stood 
behind me and when no immediate action was forthcoming she retreated upstairs. I patiently 
stood at the base of the spiral staircase, slightly leaning on the metal 
railing. Leng still did not move and we must have been standing there for 
minutes. I asked no questions. The old man had a reputation of being very 
patient and always with good reason. One could not provoke or hasten him, which 
left me standing rather awkwardly and after a while: painfully. After a few minutes I moved over to the counter and 
sat down on one of the bar stools we keep behind the sales counter. &quot;Yes I can 
hear it now&quot;, said Mr. Leng suddenly, &quot;It is your back isn't it, it 
hurts?&quot;</div>
]]>
        <![CDATA[<p>&nbsp;</p>
<p>&quot;Yes indeed, I have had a stiff back ever since I left Venice a few weeks 
ago. How on earth did you know?&quot; I asked slightly confused. &quot;Your walk was 
uneven just now when you walked from the stairs to the chair and you were 
leaning with your right arm, since there was not enough support from your back&quot;, 
Leng said calmly. &quot;Follow me please&quot;, he added quietly. What was I to do? Part 
of me was curious as to what Leng was hinting at and part of me wanted to be 
left alone, especially the part of my anatomy that was stiff and painful. At the 
door the old barber turned around, &quot;it will only take a moment I assure you&quot;, he 
said. The man had performed stranger feats and having him examine my back did 
not seem totally out of his list of skills. Slowly I followed him outside, grabbing a 
cane one of our customers had left. Our small voyage to Mr. Leng's attic 
apartment felt all the more bizarre since the old man could not see and was 
leading me without the assistance of a cane and navigated the distance without 
hesitation. A case of the blind leading the cripple. We entered the house of Ms. 
Grub the seamstress and fabric shop owner. Ms. Grub was at this time repairing 
some table lace  and looked up from her work through thick half-glasses. 
&quot;Good to see you Jeremy, you're looking good this morning&quot;, she said as if I had 
not been gone for weeks and if my physical condition had not changed since the 
last time we met. &quot;Come by later for some tea and scones if you like!&quot;, she 
shouted after me as I made my way up the long narrow staircase towards Leng's 
plateau as we call the old man's abode.</p>
<p>&nbsp;</p>
<p>Higher than an attic, but less so than a loft, is how the space appears to 
newcomers. With carefully placed bibelots and furniture the main room exudes a 
radiant warmth, no matter what time of year. That was not to say that the place 
is cluttered, nothing of the sort. In fact it always feels as if there is a 
specific design embedded in the carefully placed objects. From the ceiling 
tapestries of unusual length came down to create the spires of a fabric 
cathedral. Those draperies can be used to configure the room in any number of 
ways and it 
had occurred more than once that people who were ordinarily familiar with the 
place would find themselves lost. Parts of the floor are slightly raised and 
some are even 
lowered, giving the entire space the appearance of an odd landscape. It is my 
guess that Mr. Leng used these ridges and plateaus for navigation, but they do 
add to the mysterious atmosphere of the place. Seating arrangements are always 
improvised depending on who is visiting and for what purpose. If Leng suspects 
there will be long conversation, he will bring out extremely large pillows on 
which a London gentleman in proper attire can not sit elegantly and only with 
great difficulty, but comfortably. Women are treated in a completely different 
manner and are provided 
with chairs complimentary to their dress and standing, always making them look 
more elegant than they naturally are. Leng's assumption being that men can not 
be elegant no matter what situation and might as well look ridiculous. How the 
old man figures out what a woman is wearing is beyond me, but he always manages 
to complement his female guest's attire perfectly. Where the old man keeps all of these 
chairs and pillows and benches and cushions is difficult to say. Everything 
seems to fold away into some unseen location. </p>
<p>&nbsp;</p>
<p>Out of nowhere Leng produced a table, which he folded open so fast that 
it seemed as if the object appeared out of thin air. &quot;Please lie faced down on the 
table&quot;, he said not in my direction and slightly commanding. &quot;There will be 
no need to take off any item of clothing&quot;, he continued as if he had guessed 
what I wanted to ask. I did as I was told and crawled onto the table, which 
seemed sturdier than I had imagined. Nothing happened. In fact nothing happened 
for quite some time. There was shuffling somewhere at the far end of the room 
but when that ceased after a minute there remained utter silence. How Leng manages to keep London outside of his 
home is a miracle. After this much time lying still on a table, I felt rather 
ridiculous and started to look around. &quot;Please stay still&quot;, said Leng from 
somewhere close to me. &quot;Please, place your hands next to you on the table, palms facing 
up&quot;, he said. I did as I was told. With one easy move he managed to take off my 
clerk's jacket, how he did this I have no idea and I never found out. &quot;Please relax, I will first put 
you in a receptive mode. Closely follow my instructions.&quot; Why was it necessary 
to be in a 'receptive' mode and what did that mean by that? Even though he had taken off 
my jacket there was no actual sensation of touch thus far. All of a sudden there was a slight 
prod at the top of my neck, barely noticeable. Next his fingers slowly seemed to 
tap each of the vertebrae one at a time. There was no pushing or force applied, 
just a little tap. He stopped somewhere around my waist and now touched the 
insides of my palm with what felt like his index finger, both at the same time. 
&quot;Do you feel both of your hands equally well?&quot; Leng asked. &quot;Yes I do&quot;, I 
replied. &quot;That is good, very good&quot;, the voice came from further away. &quot;I'm going 
to repeat the same procedure, but now I want you to keep focusing on the inside 
of your palms&quot;, the voice was close by again. </p>
<p>&nbsp;</p>
<p>The same pattern was repeated but this time the tapping was a bit colder and 
a bit faster. Again it ended with a simultaneous tap on both my palms. &quot;Can you 
smell anything?&quot; I was asked. When asked that question it occurred to me that 
ever since I arrived back home I had not smelled any subtle fragrances, only 
strong and obvious ones, such as the old dusty books in Hubbard's library and 
the coffee Helen poured for breakfast. I felt Leng putting his hand under my 
forehead, slightly lifting up my head. He then pulled a latch somewhere and the 
front part folded into the table, revealing a soft stand of dark red velour that 
allowed my head to be in alignment with the rest of my body without any 
discomfort. Only my forehead and chin were resting on this curious construction. 
Leng said: &quot;I'm going to do the same thing I did with your back but with your 
head&quot; It took quite a while before this actually happened and I slowly felt 
myself drifting into sleep when I felt Leng's index finger slightly pressing my 
left ear inwards. He let go slowly and repeated the same with my right ear. &quot;Can 
you feel your cheeks? Are they warm?&quot; What an odd question, are my cheeks warm? 
&quot;Not warmer than normal&quot; was my answer. In total this procedure was repeated 
three times, each time the exact same sensation and each time Leng asked if my 
cheeks were warm. Not that I was loosing my patience, if this was all he was 
going to do, he could keep on going for a while, the entire experience was quite 
relaxing.</p>
<p>&nbsp;</p>
<p>There again was the finger on my left ear, slightly colder now and again only 
on the lobe. The same happened to my right ear, except that when asked if my 
cheeks were warm I had to admit to my astonishment that they were indeed. Not 
hot, not a fever, but slightly warmer as if sitting in front of a fireplace 
after coming in from the cold on an early December morning. &quot;Excellent, we are 
making progress&quot;, Leng murmured from somewhere in the room. He placed both of 
his hands on my shoulders, holding them flat he did not push he just kept them 
there, very steady and then suddenly removed them. Again he put his hands over my 
shoulder blades and kept them there for a minute. Twice more was this ritual 
repeated. After what seemed to be much longer than the previous intervals I felt 
two cold shapes on my shoulders, just a bit heavier than the sensation of Mr. Leng's 
hands simply touching. &quot;Does that feel comfortable?&quot; the old man asked. &quot;Quite 
so&quot;, I replied, but for some reason lacking the desire to ask what exactly was 
placed on my body. &quot;You're doing quite well, much more receptive than most&quot;, 
Leng said. The man now placed two fingers in between my shoulders on each side 
of my spine. &quot;Can you feel this Jeremy?&quot; I heard. &quot;Yes I can&quot;, I said, although 
I now wonder if I had said it in any understandable form because by this time I 
felt very groggy. The next sensation was as if Leng picked up the fabric of my 
shirt with the fingers of his hands in both the places he had just tapped. He 
slightly tugged as if to command my body to levitate from the table. &quot;No need to 
move now, don't fight the sensations&quot;, Leng almost whispered. &quot;Imagine that all 
of your muscles are tensing around these two points and nowhere else.&quot; Leng 
picked up the two points of fabric from my back. He held this position for half 
a minute or so. &quot;Imagine that these are the two points around which all of your 
back, neck, head and legs revolve.&quot; The two points were moved slowly towards 
each other. &quot;Your back hinges on these two points.&quot; As if wires pulled through 
the points I felt all the muscles in my back tense around Leng's two focal 
points. A slow upward motion made it feel as if my body was dragged into a single 
point above me. &quot;Hold here&quot;, came a commanding voice. &quot;Now let go&quot;, seconds 
afterwards. The imaginary cords were slowly released and my entire body started 
to spread out over the table. In unison with my back lowering itself Leng must 
have removed the weights from my shoulders, such that it felt as if they flew away by 
themselves. &quot;Slow&quot;, Leng whispered, &quot;Very slow. Is your back feeling warm?&quot; As I 
was still lowering my back I clearly felt a warming sensation start from where 
there were previously the two pulling points, a sensation that slowly spread all over. &quot;Lower 
still&quot;, said Leng.&nbsp; My body obeyed and with a noiseless sigh did my back 
straightened out completely. There were a quick few taps at my ears, a few over 
my back along my spine and a couple in the palms of my hands. &quot;Sleep now&quot;, I 
heard Leng say from very far away.</p>
<p>&nbsp;</p>
<p>When I came round I smelled the strong fragrance of fresh tea. &quot;Ah you are 
awake, how do you feel? You can get up now&quot;, Leng said cheerfully. I expected to 
have to use my hands to raise myself off of the platform, but there was none of 
the stiffness now that I was accustomed to for the last couple of weeks. With 
ease I slid of the table and put on my jacket. &quot;Here, have a seat and have some 
tea&quot;, I saw the old man say with a smile on his face. In silence I drank some 
tea, sitting cross legged on one of Leng's oversized pillows. &quot;Can I ask exactly 
what you did?&quot; I asked. &quot;I did nothing, you did it all by yourself. I just 
helped your mind see that there was nothing wrong with your body.&quot; Out of all 
the answers I imagined, this one made absolutely no sense. A slight curiousness 
now grabbed me and I wondered exactly what the old man had done. Over by the 
table in a wooden tray lay a number of very long thin metal needles with 
colorful handles. My curiousness turned to nervousness and I checked my back and 
ears for any damage. Leng laughed, &quot;It is not what you think, nothing bad 
happened to you, if that is what you were wondering. Your entire nervous system 
was telling your back that they had only one position to be in: stiffly bent 
forward. This probably happened because you slept a lot in objects other than 
beds, am I right?&quot; &quot;Indeed I have been traveling much, with not many places that 
contained proper sleeping arrangements. Most of the time I slept in carriages 
and cabs&quot;, I admitted. &quot;You're body assumed it was going to maintain that 
lifestyle for a prolonged period of time and prepared itself accordingly&quot;, the 
old man said sipping his tea. &quot;Then exactly why did you stick those needles over 
there in my body?&quot;, I said. &quot;Those are acupuncture needles and I only placed 
them on your body slightly under the skin, a technique that has been used in my 
country for thousands of years. You place a needle at the juncture of a specific 
bundle of nerves, that way you can either activate or deactivate those nerves&nbsp; 
and control if they allow sensations to pass to the brain. First I disabled a 
number of pathways along your back and neck by carefully placing those needles. 
This took away any noise from the rest of your body that might disturb your 
concentration. Then it was simply of a question of focusing all of your muscles 
on one point and asking you to let go. Your body did the rest and assumed its 
normal form&quot;, Leng concluded. &quot;What were those weights on my shoulders and what 
were they for?&quot; I asked still not entirely satisfied. &quot;Those were simple copper 
weights, they enhanced the sensation of sinking when you finally let go.&quot; More 
and more questions came to me rapidly. &quot;Why did I not feel the needles go in?&quot; I 
asked. &quot;Again this was suggestion. Although they are so thin you would not have 
felt them anyway, I wanted to completely remove the chance of you noticing 
anything out of the ordinary. You felt me tap your back, your hands and your 
ears. This created a pattern of expectation and when I placed a needle your body 
already had a picture of what was happening. It could simply not tell the 
difference. It also helps me to find the precise nerve bundles of course&quot;, 
mister Leng said. &quot;But enough explanations. Time to go home, it is getting 
late.&quot;</p>
<p>&nbsp;</p>
<p>With many questions still to be answered I walked back to Hubbard's store. 
Olivia was busy in the greenhouse talking to Smollet. As I stood there staring 
at the wildlife I heard a sound I had not heard from this part of the house 
before. The trapdoor leading to Bibliotheca Echidna opened slowly and I heard 
someone walk up and enter the store. Only when the door closed again could I see 
Hubbard standing in the hallway looking at me. With an expressionless face he 
said: &quot;Welcome back Jeremy, I'm sure you have a lot of questions.&quot;</p>
<p>&nbsp;</p>

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<entry>
    <title>An Awkward Awakening</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2006/09/an_awkward_awakening.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=76" title="An Awkward Awakening" />
    <id>tag:www.thecriticaltimes.net,2006://1.76</id>
    
    <published>2006-09-04T17:08:15Z</published>
    <updated>2006-11-24T02:54:19Z</updated>
    
    <summary> ar from what I thought my surroundings would be like after having traveled for so long, I found myself sitting on the side of my old bed staring out through the small window over the greenhouse and the other...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top">
<img border="0" src="http://www.thecriticaltimes.net/images/initials/small/F.jpg" align="left" width="70" height="95">ar from what I thought my surroundings would be like after having traveled 
for so long, I found myself sitting on the side of my old bed staring out 
through the small window over the greenhouse and the other backyards with a 
feeling of separation. Time may heal all wounds, but it also erases experiences 
faster than we can find ways to commit them to permanent memory. Even in those 
first few seconds of being back in Fleet Street, I felt myself slipping into the 
old thought patterns, the familiar small habits and rituals that makes a home a 
home. My traveling clothes were still on me and on the floor beside me was the 
leather hat, purchased in Venice not weeks before. Helen must have heard me move 
around and came knocking on the door. &quot;Jeremy, are you awake?&quot; Helen was not one 
of the most personable maids and she 
kept herself to her duties most of the time. Except when Olivia visited, then 
our maid would turn into a doting mother. &quot;Jeremy, are you up?&quot; Helen asked 
again. &quot;You can come in if you want to&quot;, I said, having not taken off any item 
of clothing. The door opened and Helen stood in the doorway, shuffling from one 
foot to another. &quot;Are you quite alright? We were worried about you&quot;, she said. 
&quot;Worried, why on earth would you be worried?&quot; I asked, now paying our maid my 
fullest attention. &quot;You've been asleep for two days straight. We did not try to 
wake you but if you had not awoken today we would have called for Doctor 
Roberts&quot;, Helen said.</div>
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        <![CDATA[<p>&nbsp;</p>
<p>&quot;Two days?&quot; I asked. &quot;I know I was tired and hadn't slept for quite some time 
when I arrived back home, but two days was quite a lot to be unconscious.&quot; With 
Helen now acknowledging that I was not a meandering ghost but very much my old 
self, she became less nervous and more of our maid. &quot;You better come get some 
breakfast, Hubbard has been asking about you. And take of those filthy clothes 
please. Where on earth did you get those?&quot; she said strongly, now briskly 
walking away towards the kitchen. It is futility itself arguing with urchins and 
Russian maids and I did as I was told. My old clerk's livery was an 
uncomfortable change of attire from well worn traveling clothes, with the only 
benefit that I must have lost a considerable amount of weight and the costume 
now fell around me as if I had just put on a fabric harness. The mirror on the 
wall above the small basin showed a face with a darker skin and more facial hair 
than I had ever had. A shave took care of the stubble but did nothing for the 
weathered skin. As far as I could I straightened my back and made my way towards 
the kitchen in the forward part of the upstairs living quarters. I found a table 
set for one with a cup of hot steaming coffee and an English breakfast. Clearly 
my stomach had forgotten what it was used to every morning because now matter 
how tasteful the sausage, it felt heavy in my stomach and I could not eat as much as I 
normally did. Helen noticed of course. &quot;Jeremy, what did they do to you over 
there on the continent? You look all scrawny and worn out and you've barely 
eaten anything&quot;, she said, sounding very much like the Helen I had left behind. 
&quot;Not to worry, I'm sure all that will change soon, you'll see&quot;, I replied.</p>
<p>&nbsp;</p>
<p>Thus far I had not seen Hubbard. Nor did I care to meet him just yet. The man had 
shown a callous side of him I had not expected, something which greatly confused 
me. He had grabbed the item I had sought out for him with great danger to myself 
and he had rushed downstairs into Bibliotheca Echidna without a word of explanation 
or thanks. Helen had not seen him much either for the last two days and the man had virtually been 
swallowed into ground for all we knew. &quot;He will be back and he will apologize, 
you will see&quot;, Helen said, trying to turn around my anger. &quot;You know what he is 
like, whenever he gets something in his head he has to see it through. It is 
like a fever that has to run its course&quot;, she added, &quot;Remember the Triops?&quot; I 
did remember that. His constant absence both in mind and body from the dinner 
table and the workshop to spent time peering at ugly creatures in a fish tank 
had disrupted the household greatly. At first I felt a great need to become 
familiar again with the interior of the house. Whatever the world outside looked 
like would have to wait. Almost minutely I went through the abode, 
re-acquainting myself with the objects, the layout, the colors, the smells and 
the dimensions. Never before had I realized how much the inside of my home had 
made an impact on me. Traveling rapidly from city to city, from temporary 
accommodations to even more temporary sleeping quarters had created a need for a 
permanence and I was very glad to find that back in Fleet Street. </p>
<p>&nbsp;</p>
<p>Almost at once did I start to notice small sensations that had never before 
entered my consciousness. The specific color of the wood paneling, very dark in 
contrast to the bleached stone texture of Mediterranean houses, the smell of 
polishing wax, something I would normally loathe. Still the subdued colors and 
dark red wood did not appear at all depressing my spirits, 
instead they gave a warm and comfortable feeling to the place. Similar 
sensations entered my mind when walking into the library, books still in the 
same disorder as I had left them. Old paper combined with Morocco leather 
creates a penetrating smell, not to dissimilar to pipe tobacco, something I had 
never realized before until then. When I entered the shop downstairs, it was 
clear that not much had been sold. Clocks and watches had been taken in but had 
not been picked up. Some of the clocks had simply been placed on the counter by 
their owners and were not even examined or labeled, something that ordinarily happens before 
they are moved into the workshop. Three of these clocks would be very difficult 
to place unless their owners came to claim them. One rather ostentatious mantle 
clock could be immediately identified as belonging to Mrs. Clapham, a lady with 
absolutely no taste and a fixation with the reign of Louis XV. Cleaning the 
store and organizing the merchandize gave me a way to work myself back into the 
creeks and crevices of the house. Never before had I been an overzealous cleaner 
of spaces, but having trundled so much mud and muck, it was quite a nice change 
to be able to actually clean something a bit more permanent than perhaps 
scrubbing my boots for the next day. Helen had stayed out of the store area. 
&quot;All them clocks and watches, that's not for a maid to cope with. Let Hubbard 
himself sort it out&quot;, she stated resolutely. </p>
<p>&nbsp;</p>
<p>Hubbard himself was nowhere to be seen. His workplace the same chaos as 
before, with no signs as to when the last time was he had occupied it. 
Inevitably I reached the vivarium, or greenhouse, built against the house in the 
backyard. Not to confuse this construction with a regular greenhouse, the 
complex, for it should be called that, was of an enormous scale and housed a 
small section of tropical rainforest. Not just plants were kept here but the 
typical animal life was appropriately transplanted into the artificial 
counterpart. It was as if God had sliced a quarter of forest out of the jungle 
and planted it right in our backyard. When I entered the hot enclosure I was greeted by a new 
sound, a loud shrieking of a bird with an English cold. Encountering this noise 
within<img border="0" src="http://www.thecriticaltimes.net/images/inline/toucan.jpg" align="right" width="150" height="202"> an actual forest must be an immense sensation since the volume produced 
by this bird was incredibly loud and would certainly echo for miles. &quot;It's a 
Toucan bird or a Ram...&nbsp;&nbsp; a Rampa ... Ramphastidae&quot;, a small voice 
came from behind me. I spun around and saw Olivia staring at me. &quot;Its name is 
Smollet, like the newspaper man around the corner. He sounds just like him&quot;, 
she said in one breath. &quot;Olivia! good to see you again&quot;, I cried out. The little 
girl ran towards me and wrapped her arms around my waist. &quot;You're back you are!&quot; 
she shouted. &quot;Indeed I am and I won't go away anymore&quot;, I said, wondering if I 
could indeed make that promise. &quot;Now how did you know that Latin name for that 
bird&quot;, I asked. &quot;Mister Hubbard gave me a book with pictures, he said I should 
like to study onitoligy, that's about birds you know&quot;, Olivia said, now slowly 
letting go of me. &quot;You mean Ornithology probably&quot;, I said.&nbsp; Not wanting to 
crush the little girl's newly found interest I quickly added: &quot;that's very 
impressive that you know that bird's Latin name.&quot; Olivia nodded. &quot;Smollet is 
very clever. I'll show you.&quot; Olivia walked up to a small plant and picked a 
bright red piece of fruit. She then entered the central opening in the forest 
and intently gazed upwards. &quot;Look&quot;, Olivia said and tossed the piece straight up 
into the trees. Out of the leafs came a large bright yellow beak that snapped up 
the piece of fruit from the air with a loud clack. Olivia clapped her hands. &quot;Smollet's 
very good, he almost always catches it.</p>
<p>&nbsp;</p>
<p>&quot;Come&quot;, she said,&nbsp; &quot;there's more new animals.&quot; She took my hand and 
dragged me towards the left side of the enclosure where a small set of stairs 
descend into a viewing area from which you can observe the contents of a small stream 
that runs across the vivarium. &quot;Look&quot;, Olivia said, &quot;do you see the little 
snakes over there?&quot; On the floor bed, curiously examined by some Discus fish 
roaming the bottom for food, were three yellow and brown striped elongated fish or eels no more than a couple of inches in 
length. &quot;They look like they have moustaches&quot;, Olivia giggled. Indeed upon 
closer inspection the tiny eel like fish appeared to sniff around with short 
bristles at the end of their snout, constantly prodding the stream's sandy floor 
bed, occasionally shooting away from larger fish getting too close for comfort. 
&quot;They are funny, they do that all day. Sometimes they mistake one of the bigger 
fish for food and they tickle them. Those big ones get really angry when that 
happens&quot;, Olivia said. &quot;I'm sure&quot;, I said, &quot;I'm sure that itches for a while.&quot; 
&quot;Mister Hubbard told me that the little eels don't really come from the same 
place as the other fishes, but he says that they should be ok. I've been 
watching them so they don't get sick&quot;, Olivia said. We sat there for a while gazing at the abundance of life in front of us. Little 
fish inevitably got themselves into scuffles with other small fish, which for a 
short while created a cloud of spurious activity, ending in an explosion of life 
towards all ends of the stream. &quot;Ah there you two are.&quot; Helen walked down 
towards the bench we were sitting on. &quot;Did you show you him the fish with the 
moustaches?&quot; Olivia nodded with a smile. &quot;They are very funny animals&quot;, I said, 
&quot;a bit like underwater dogs&quot; &quot;Good thing I found you here Jeremy, Mr. Leng is 
upstairs to see you, he says he can help&quot;, Helen said. &quot;Help me?&quot; I asked, &quot;help 
me with what?&quot; &quot;He didn't say, he just said he could help you.&quot; Not wanting to 
leave the bench I reluctantly stood up and went upstairs to see what Mr. Leng 
had to say.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>

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<entry>
    <title>A Late Arrival</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2006/08/a_late_arrival.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=75" title="A Late Arrival" />
    <id>tag:www.thecriticaltimes.net,2006://1.75</id>
    
    <published>2006-08-14T04:15:13Z</published>
    <updated>2006-11-24T03:04:08Z</updated>
    
    <summary> more miserable welcome could not have been possible. Rain was coming down in sheets against the carriage windows, further strengthening the barrier between myself and the outside world. This was no carriage it was a cocoon, a sealed universe...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top">
<img border="0" src="http://www.thecriticaltimes.net/images/initials/small/A.jpg" align="left" width="70" height="95"> more miserable welcome could not have been possible. Rain was coming down 
in sheets against the carriage windows, further strengthening the barrier 
between myself and the outside world. This was no carriage it was a cocoon, a 
sealed universe from which I would have to emerge into the place I left almost 
two months ago. Even though my physical self felt being pushed against the 
fabric of the carriage seats, my mind and soul were still miles away. Nervously 
I was fumbling with a pair of exotic 20 sided dice in my pocket, a souvenir acquired in Venice not a 
week ago. In my right hand I clasped a metal cylinder, the objective of my 
sojourn and the key which would release me from my task. Did I want to be 
released? My mind wondered back through the streets of the many cities visited 
during my voyage, some more 
fantastical than any story found in Hubbard's library and all real. Florence is 
not a corporal city, it is a dream built on ideas and fancies. Bruneschelli's 
dome surely is not suspended by ingenious engineering and artful craftsmanship, 
but instead must be held high by thousands of angels. Here I was back home, a 
wide leather hat drawn over my head, keeping out the street lights. Desperately 
my mind reached out to capture the events and sensations of the previous weeks. 
The strolling crowds in the streets of Paris, the stately symphony in Vienna. 
Elegant houses still rushing by the window of countless carriages in my mind, 
palaces, exuberant nightlights and window dressings all blurred together into 
one vision. One more minute on the road, one more minute of not knowing what the 
next marvel will be. It was still raining hard. Even with the coach standing 
still, the water made enough racket that if I closed my eyes I could still 
imagine running along the Pointe Vecchio.</div>
]]>
        <![CDATA[<p>&nbsp;</p>
<p>There came a soft knock on the carriage door. &quot;Jeremy, are you in there?&quot; 
The familiar voice of Hubbard. &quot;Jeremy, did you bring it? We must take it 
downstairs immediately. They are all waiting&quot; There was no escaping anymore. I straightened my back 
as far as I could, 
fastened my hat properly on my head and slowly opened the door. A completely 
soaked Hubbard stood peering through his half glasses  outside his shop 
door. When I looked up to take in the familiar front of the place I have called 
home before all this had happened I noticed Helen standing at the top of the spiral 
stairwell. She did not look happy or apprehensive or curious. There was almost 
resignation on her face, as if some puzzle was put together again, not a family 
but a puzzle. I was not ready for Hubbard yet, the house and Helen perhaps, but 
not Hubbard. He was mostly anxious about the object I had brought, an object of 
which I still knew nothing. Without leaving the carriage I reached out through 
the rain as if penetrating a waterfall and handed him the metal container. He 
took it with both hands. &quot;Excellent, boy, let's get this downstairs 
immediately!&quot; I did not know exactly where 'downstairs', but it had to be 
somewhere in the catacombs of Bibliotheca Echidna. It meant nothing to me now. 
Hubbard had not traveled post haste through a large part of Europe, instead he 
had sat in his library contemplating the best way to handle the object. I had 
left as a nineteen year old boy and had returned an old man, physically as well. 
The journey had given me a serious injury to my back, courtesy of the Swiss Alps 
and showed as a slight forward bend when I walked. </p>
<p>&nbsp;</p>
<p>Hubbard had rushed inside immediately and I saw him press the hidden button 
that closed the trapdoor to the underground museum. Slowly the inside of the 
coach was getting wet and the cabbie made some noises indicating that he was 
tired as well of this trip. Slowly I gathered my possessions. The rain did not 
bother me, it seemed appropriate and felt like a shower, washing away 
experiences and memories. This at least is how it felt, as if by leaving the 
carriage I would loose the memories of days of intense living. With loud 
complains the cabdriver lowered my trunk from the back of the coach. I paid him 
whatever I money I had left and accidentally gave him some Italian Lire and 
German Deutschmark. Helen had come to the door and took my hat. &quot;This is 
different&quot;, she said, both observing the hat and me. &quot;Are you sure you are 
Jeremy? And where did you get that cape. It suits you though.&quot; The trunk I left 
in the store. Helen closed the door behind me and followed me up to the kitchen. 
&quot;I'll make you some hot chocolate, that'll settle you right down&quot;, she said with 
a severe face. I did not want to settle down, wanted to be back on the road. 
Perhaps some hot refreshments would not be that bad. I resigned to the fact that 
all things must come to an end and that the realization that everything had 
really happened was the most important object I had brought with me. &quot;What did 
you bring Hubbard?&quot; Helen asked. &quot;I have no idea, I never bothered to look 
inside. It's very light, probably something made of paper&quot;, I said. It was true, 
the moment the container was handed to me I felt a bit embarrassed. Was this 
what I had pursued so fanatically?</p>
<p>&nbsp;</p>
<p>We talked about the little things that had happened in our Fleet Street 
community. Mrs. Vandermeer had given birth to a baby girl, with the effect that 
suddenly Olivia felt like she had a baby sister and was behaving very much 
acting the part of the older sibling. Sebastian had broken his leg when he fell 
of the back of a cab. Had to happen sooner or later. Meyers was as productive as 
ever and was now printing small bound books. All this I took in and stored 
somewhere in the back of my head, knowing that I would process the facts later 
when the sea salt had wash off my skin. I must have dozed off at the kitchen 
table because I remember sitting up with Helen shaking my shoulders. &quot;Better get 
you to bed, you're not going to last much longer sitting there&quot;, she said. In a 
daze I made my way towards the back of the house where my bedroom was. Inside 
everything was as I had left it but nothing was the same. With my wet clothes 
still on and with my leather hat clasped in my hand I fell asleep on my bed. The 
only dreams that came that night were blurred visions of moving from one tall 
building to another from city to city. </p>
<p>&nbsp;</p>

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<entry>
    <title>Camera Obscura in Europa</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2006/07/camera_obscura_in_europa.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=74" title="Camera Obscura in Europa" />
    <id>tag:www.thecriticaltimes.net,2006://1.74</id>
    
    <published>2006-07-19T09:20:31Z</published>
    <updated>2006-11-24T02:55:24Z</updated>
    
    <summary> orking for a man who has a great many connections around the globe can sometimes mean that one has to pack one&apos;s meager belongings and be sent to a remote location on vague business. I am currently on one...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
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        <![CDATA[<div class="p-top">
<img border="0" src="http://www.thecriticaltimes.net/images/initials/small/W.jpg" align="left" width="70" height="95">orking for a man who has a great many connections around the globe can sometimes mean that one has to pack one's meager belongings and be sent to a remote location on vague business. I am currently on one such venture as directed by Mr. Hubbard, and this explains why none has heard from me in some time. Writing circumstances are limited and communication means by way of telegram back to England are even more restricted. Not that I am allowed to convey much of what has happened sofar and I fear this little paragraph is already far out of confidential bounds. Not that I am disturbed by any potential consquences. My philosophy on the matter is that by the time these words reach anyone of consequence, the relevance and their meaning will have long lost their importance. This particular piece of text came together in a small tea and coffee house (Thee & Koffie Huis) one parallel alleyway removed from ''the Kleiweg'' road in the city of Gouda, the Netherlands. Currently I am waiting for a Dutch merchant by the name of Nicolaas Romburg, who is my next contact in this maddening adventure. I've been sent here to obtain a document that will guide me to my final destination. All I have been told, is that I am to provide safe passage for a gentleman in Italy, whom has finally agreed to have something, which belongs to him and his family, safely stored within the underground vaults we call Bibliotheca Echida. No specific information was given to me and I do not know what exactly this gentleman will bring with him.
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    </content>
</entry>
<entry>
    <title>Other Voices</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2006/07/other_voices.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=73" title="Other Voices" />
    <id>tag:www.thecriticaltimes.net,2006://1.73</id>
    
    <published>2006-07-03T05:00:13Z</published>
    <updated>2006-11-24T02:56:24Z</updated>
    
    <summary><![CDATA[ This is just the most awful poppycock I have ever read&quot;, said Mr. Meyers, the bookstore owner two doors down from Mr. Hubbard's watch and clock repair shop. &quot;You should see some of the manuscripts people send me for...]]></summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top"><img border="0" src="http://www.thecriticaltimes.net/images/initials/small/W.jpg" align="left" width="70" height="95">
This is just the most awful poppycock I have ever read&quot;, said Mr.
Meyers, the bookstore owner two doors down from Mr. Hubbard's watch and clock
repair shop. &quot;You should see some of the manuscripts people send me for
publication Jeremy, thank God some of them use a nom de plume because their
closest relatives would disown them if they knew what has appeared on
paper&quot;, Meyers continued. Mr. Meyers has upgraded his printing activities
from flyers and pamphlets to producing small booklets. Mostly short stories and
poetry appears in the marginally bound stacks of paper. A solicitation was put
in some of the local newspapers, as well as in his own pamphlets, asking the
English writing public to consider him as a source of high-quality printing for
their as of yet unsung victories. Solicitations he received and did so by the
hundreds. &quot;Who would have thought there would be this many souls seeking
literary recognition?&quot; he told me shortly after he opened the first parcels
of manuscripts.&nbsp;</div>
]]>
        <![CDATA[<p>&nbsp;</p>
<p>Meyers has now recruited myself and Mr. Hubbard to sift through the enormous
stack of paper to find any works that might be publishable. Leonard, Meyer's
assistant is too engrossed in producing the plates that are needed to keep the
printing business afloat. With all this activity there has been a visible
neglect in the store portion, the original occupation of the old bookworm.
Instead, as did Hubbard, Meyers is now employing the services of a young lady by
the name of Agnes. Last name as of yet unknown, she won't divulge anything personal and
keeps a safe distance from anything remotely human, including customers. In that
respect she fills the position adequately. Bookstores would not do well with an
overzealous salesperson, who would recommend a Faust to someone seeking
uplifting prose. &quot;But madam, Faust is one of our rapidly selling items, we
received a new shipment this morning and they are simply flying out the
door.&quot; Agnes relates more to the mood and temperament of people drifting
in, in search of literary fulfillment. &quot;Perhaps a short novel such as Candide by the French author Voltaire would suit madam's mood?&quot; she would
ask. &quot;It is an ever delightful tale of unstoppable optimism.&quot; Agnes
would peer through her half glasses and with her squinting eyes sold a
considerably smaller volume than let's say Goethe's Faust, but she would sell
many more in the course of a day and to customers who would surely return many times
over. </p>
<p>&nbsp;</p>
<p>Agnes was rummaging around behind one of the counters as our conversation 
around submitted manuscripts reached a new level when Meyers gave me some 
samples of prose that had come into his store just last week. On top of the 
stack of paper sorted into books were drafts by a lady who is using the pen name 
&quot;Anna Christo&quot;. Miss., or perhaps Mrs. Christo writes detective novels or as can 
be read from the subtitles of her work: &quot;Another sleuthing serial, featuring the 
famous detective Roger Morrison&quot; In the stack were three such novels, each with 
what must be assumed to be sensational titles, such as there was: &quot;The Library 
in Red&quot;, &quot;Nobody left the House&quot; and &quot;The Mysterious Death of Charles Baker&quot;. 
Below those three fine examples of England's home brew literature was a 
manuscript submitted by the Reverend Masterly. I truly hope that is not his real 
name. The good Reverend writes romance novels. It is hard to believe indeed. Not 
only does the man write romance novels, he writes very very dubious ones. One 
wonders where he gets his knowledge from, certainly not the members of his 
parish. Perhaps he has been reading the Beatrice one too many times and felt 
compelled to introduce a modern version of this work. Chances are slim that any 
of these manuscripts will ever be turned into printed books, but nonetheless I 
do not want to keep these wonderful examples of passionate scribbling from you. 
Imagine if you can, an elderly man dressed in his habitual clergy costume, 
holding a pen, examining the last sentence he had just committed for eternity to 
the piece of paper in front of him. The line of text he just finished came out 
of a paragraph that read like this:</p>
<p>&nbsp;</p>
<p><i>Muriel, the pious and pure sister from the nearby convent of St. Angelus 
was walking with sister Angela in the apple orchard adjacent to the village church. It 
was late morning and the sun had just driven all the moist and dew into the 
leaves and branches, leaving swollen and healthy vegetation all around as far as 
the eye could see. The two devout women were discussing the ripening of blossom 
into apples and blessed themselves for being allowed to witness this holy 
miracle. Amongst the heavily laden trees and soft grass they slowly strolled until they 
reached the Northern most edge of the convent's properties. The other side was 
farmland with a wide strip of wooded area, separating the farm from the holy 
land. Farm hand John noticed sister Muriel and sister Angela walk past unseen, 
still lost in their thoughts and admiration. John had stepped away from his 
father's reign to take his dog to the little stream that had plowed its shape 
into the prosperous land. &quot;Sister Muriel, Sister Angela!&quot; he shouted. &quot;Why not 
join me for an early lunch by the stream? I brought a full picnic basket, but 
there is too much to eat for just myself and I hate to waste food&quot; Both nuns were familiar with John and 
knew his passionate temper, a temper not always commensurate with church 
doctrine. Still, the poor mountain of a man deserved the same devout attention 
as any other parishioner and could surely be taught the ways of the Lord. Sister 
Muriel and sister Angelus greeted John and asked him if he had said his prayers. 
&quot;Yes of course, I prayed for some companionship and see, the Lord has provided&quot;, 
said John. </i></p>
<p>&nbsp;</p>
<p><i>Being shown so much faith, the two nuns could not refuse and crossed the 
little gate into the wooded area after having picked several apples and some 
strawberries to supplement the picnic. &quot;Master John&quot;, sister Muriel began, &quot;I 
have not seen you in church for quite some time.&quot; &quot;T'is my master, farmer 
Collins, he keeps me in the field all week and will not even permit me to rest 
on Sundays&quot;, John said sheepishly.&nbsp;Both Muriel and Mabel were visible 
taken aback. &quot;Surely Master Collins knows the Lord's wishes&quot;, said Mabel. &quot;I can 
not disobey. I would lose my job you see&quot;, added John. Muriel, who was the more 
sensitive of the two, Mabel being the one who had worked in various hospitals 
and orphanages, felt her heart open towards the tall handsome farmhand. &quot;I will 
go speak with farmer Collins this instant and cite him the appropriate 
paragraphs from the scriptures&quot;, Mabel said. She leapt up and briskly walked 
through the trees onto the farmer's land and could be heard muttering to herself 
in colorful, yet devout language. Muriel now found herself alone with the silent 
young man, who at this point was demolishing an apple. After only a small 
portion of the piece of fruit was left, did the man toss it amongst the trees 
and reached for something deep down in this trouser pocket. He took out a small 
knife and proceeded to peel and cut one of the remaining apples. Muriel all the 
while observed the movements and motions with a an embarrassing curiosity. Why 
would a man eating an apple be of any interest to her?</i></p>
<p>&nbsp;</p>
<p>Perhaps I should not go on. What I have copied thus far is already 
sufficiently embarrassing, especially for the Reverend Masterly if this were ever 
published and if that were his real name. Many more closet romance novels in 
draft were littering the house and weeding through them would take weeks, if not 
months. Agnes, who had been collecting a small pile of these manuscripts in a 
corner of the store, was silently reading. If she suspected anyone observing 
her, she would pretend it was something of no interest and would flamboyantly 
discard it on a random pile of books. Moments later she would grab the volume 
again and continue reading, slightly flustered. </p>
<p>&nbsp;</p>
<p>Miss Christo's manuscripts are more to my liking. After reading some of her work I must admit that it is 
actually quite good. Mind you I have only read through: &quot;The Mysterious Death of 
Charles Baker&quot;, a detective novel in which a banker is murdered during regular 
banking hours, using some very unusual methods I might add. Perhaps I will make 
this work available to you, so that you may form your own opinion. Other books 
and manuscripts shown to me by Meyers were either of abysmal quality or of such 
a nature that it is really up to the public to decide if it merits wider 
publication. Currently there is no room for highly experimental works of fiction 
and these will sit on the shelves until the passing years are more agreeable to 
their subject matter. Perhaps I will also include some of these works for you, 
as you might be more open to subversive literature. Some of the writers are 
firmly in the grip of the Jules Verne novels and try to emulate and even outdo 
the master. The result? Compendiums of the most ridiculous inventions, used for 
even more absurd adventures. For your amusement I have listed here three such 
works with a description and and outline of the stories:</p>
<p>&nbsp;</p>
<p><i>'<b>A Trip to Paris and Back</b>', by Ralph Westerly, the recounted adventures of Baron 
Rasmussen, who invented a submarine that maneuvers underground instead of 
underwater. The ridiculous machine resembles a large conical drill mounted on 
the front of a locomotive. In order to go 'underground', the vehicle lifts it's 
back portion by pneumatic pressure and points its entire structure towards the 
ground. The drill then both creates a hole in front of the machine as well as 
drags the contraption forward and downward.</i></p>
<p>&nbsp;</p>
<p><i>'<b>At the top of Mount Everest</b>', written by Marlin Rochester, being 
an account of a daring 
investigative reporter who follows a madman on his attempt to climb the highest 
mountain in the world. For this adventure various devises were used to make the 
trip through high altitudes possible. Amongst the more outlandish machineries, 
is a suit that keeps the wearer warm. It is fueled by warm water trapped inside 
the suit and is pumped through a device carried on the back that resembles a 
small steam engine.</i></p>
<p>&nbsp;</p>
<p><i>'<b>The Lost Land</b>&quot;, penned by a person calling himself 'R. J. 
Chesterfield', after many months of searching the desolate plains 
of Northern Russia, the expedition led by Arthur Brackenridge returns to London. 
It was the ultimate goal of the party to return with proof of the continuing 
existence of the Wooly Mammoths. Modern type vehicles, mounted on sleds were 
used to comb the barren wastelands of this mostly undiscovered country. If you 
want to know of the results of their efforts you will have to read the entire 
adventure!</i></p>
<p>&nbsp;</p>
<p>The last abstract was actually included with the manuscript on the first page 
and was proposed to be used for advertising purposes. Most of the writing
<img border="0" src="http://www.thecriticaltimes.net/images/inline/beetle.jpg" align="right" width="200" height="209">was 
actually of good quality, but the descriptions of the machines and inventions 
used; created a constant tendency to laugh out loud. Amongst the more boring as well as poorly 
written materials are works on the sciences, with for some reason a large number 
of books on birds and insects. For example, there were two books (volume I and 
II) about the flying power of a certain species of large beetle (<i>Lucanus cervus</i>). 
Apparently the male of the species can fly 
through a glass window and come through unscathed. An interesting fact you might 
say, and indeed I did not know this. But two entire books on the matter? When I 
showed these volumes to Hubbard they were immediately examined and added to the 
library, which technically means that the author sold one copy. &quot;Did you know 
that these insects are directly related to dung beetles and scarabs?&quot; Hubbard 
said after reading through some of the lesser dense text. </p>
<p>&nbsp;</p>
<p>Not that all of the samples that Meyers gave me to read were of poor quality. 
Indeed, there were some magnificent works of prose that can stand up to any of 
the books by Dickens or Haggard Rider. A couple of these books should certainly 
be mentioned. There were five complete children's stories by Allister McMoran, 
each of the volumes containing&nbsp; the continuing saga of a colony of field 
mice that is forced to migrate to the big city after their small meadow is 
turned into a factory. The mice, after many tribulations settle themselves in 
the center of a small square in the big city of London. A square, which is 
described as consisting of an enclosed area containing willows and poplars, not 
unlike our own alcove community. Below the vegetation they dig out 
and build a mouse city of admirable proportions. Perhaps at some point I should 
include excerpts of these tales for your and your children's entertainment. 
Meyers will not publish them as of yet, since he is looking for specific works 
that fits the 'milieu' he has in mind as he calls the customers of the soon to be printed 
high-quality literature. Children's stories are one of the more popular streams 
of incoming materials and we already sorted at least twenty five short stories 
and about 6 full novels. Most of the manuscripts are of a standard sort, being 
rather educational and of questionable entertainment value. </p>
<p>&nbsp;</p>
<p>For now there is a large stack of assorted paper still to be sorted. Since 
last week, the builders who Meyer's hired to construct an extension to his house 
into the back yard, have finished to the point where the space can be used for 
storage. Most of the outside still needs to be put into place, but the inside is 
fully furnished and resembles the headquarters of the Oxford English Dictionary 
efforts. Stacks and stacks of large pigeon holes allow Meyers and Leonard to 
sort the large mass of incoming paper into rough categories. After a rigorous 
selection and reviewing process, suitable works are tagged by a yellow strip of 
paper and are placed into a higher pigeon hole. The lowest ranks are used for 
incoming manuscripts, who then proceed to either travel upwards or are thrown 
out if they remain in the same slot for more than a month. Occasionally I will 
ask Meyers if I can select some of the piles from the medium height holes. Those 
that are neither suitable for immediate publication and are not that bad as to 
insult the reader. Currently I am engrossed in the aforementioned The Mysterious 
Death of Charles Baker&quot;, a story I will provide soon for your reading pleasure.</p>
<p>&nbsp;</p>

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<entry>
    <title>For whom the bell jar tolls</title>
    <link rel="alternate" type="text/html" href="http://www.thecriticaltimes.net/2006/06/for_whom_the_bell_jar_tolls.htm" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thecriticaltimes.net/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=72" title="For whom the bell jar tolls" />
    <id>tag:www.thecriticaltimes.net,2006://1.72</id>
    
    <published>2006-06-26T20:40:43Z</published>
    <updated>2006-11-24T02:44:58Z</updated>
    
    <summary> his morning our breakfast was disrupted by a shouting Helen who came down the stairs yelling something in Russian. The cause of all this commotion was the passing of our last remaining Triops. Having outlived and more importantly outgrown...</summary>
    <author>
        <name>Jeremy</name>
        <uri>http://www.thecriticaltimes.com</uri>
    </author>
            <category term="Articles / Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://www.thecriticaltimes.net/">
        <![CDATA[<div class="p-top">
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his morning our breakfast was disrupted by a shouting
Helen who came down the stairs yelling something in Russian. The cause of all
this commotion was the passing of our last remaining Triops. Having outlived and
more importantly outgrown the other creatures in the tank, the remaining animal
was set on shedding its skin every two days as if it were still a mere larva.
For weeks now the one we called Metusaleh laid eggs ever day, ate more carrots
than we could grow and ransacked the aquarium in search for either entertainment
or yet more food. Our ever mesmerizing and growing animal grew until it was
about the size of your index finger. Having reached these alarming dimensions
(they should not grow this big) we wondered if we had inadvertently stumbled on
some mutating stimulant with our experiments in diet changes.
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        <![CDATA[<p>&nbsp;</p>

<p>Quickly, the one we shall not name because he is Charles
the fiancé of Miriam, was informed and Hubbard, after discussing the matter for
an extensive period of time agreed that however unusual the enormous size of the
monster was not at all out of proportions. Metusaleh of course ignored the
discussion and continued eating and growing. All throughout the life of our
remaining monster we noted down its behavior, eating habits and any other
peculiarities that might be of use later. When I say 'later' then that most likely
means in a hundred years or so when a bright young student from Oxford
 reads the logs and wonders what we hoped to accomplish. The poor soul
might even do a dissertation on the hopeless pastimes of confused Victorians.</p>

<p>&nbsp;</p>

<p>In any case all the activity surrounding the creature
ceased when Helen found it all bunched up in a corner of its tank. At first she
thought it had grabbed something that had fallen into the water and was now
carefully dissecting it. Not at all an unusual occurrence. But when there was no
movement after regular food was added, Helen grew suspicious. Using the
neurological tools Hubbard always keeps on an examination bench, she carefully
prodded the animal. Triops are not shy and will swim towards anything moving,
but this one would do so no more. Helen then realized the animal had passed away
and proceeded to do her big entrance into our kitchen. Completely unperturbed
Hubbard climbed into the attic space with me following close behind. He did not immediately go towards the tank
but instead opened a cabinet filled with empty glass cylinders closed off on
either side with a base of dark mahogany. He picked up a glass bottle with
formaldehyde and then finally made his way towards the back of the room.
“Jeremy, please fill the cylinder while I take out the Triops”, Hubbard said
in a formal tone. He always turned like that when he used the veil of science to
shield himself from something emotional. The old man had grown quite attached to
the little creature and thought the two had much in common. As I was filling the
Triop’s last resting place I saw Hubbard carefully take out the animal and
place it on a piece of parchment paper. “Not enough time to draw it. They don’t
hold up well outside the water. Look Jeremy the structure completely collapses,
just like jellyfish”, he muttered. I placed the now full container next to the
parchment and watched Hubbard drop the animal inside. Hubbard kneeled; his eyes
now level with the floating Triops: “Luckily I did not do any damage when I
put it on the paper.”</p>

<p>&nbsp;</p>

<p>There it now sits, inside a glass cylinder, looking even
more menacing then when it was still chasing food and other Triops. Anything you
put in a jar filled with formaldehyde will turn into something otherworldly and
in the case of this animal the effect was even more bizarre. I am not sure if
Hubbard will continue the experiment by hatching another cycle of larva.
Personally, I would not mind seeing some innocent fish instead.</p>
&nbsp;

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