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Bibliotheca Echidna

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London, ca 1860
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« A Choice of Words | Main | Other Voices »


For whom the bell jar tolls

his morning our breakfast was disrupted by a shouting Helen who came down the stairs yelling something in Russian. The cause of all this commotion was the passing of our last remaining Triops. Having outlived and more importantly outgrown the other creatures in the tank, the remaining animal was set on shedding its skin every two days as if it were still a mere larva. For weeks now the one we called Metusaleh laid eggs ever day, ate more carrots than we could grow and ransacked the aquarium in search for either entertainment or yet more food. Our ever mesmerizing and growing animal grew until it was about the size of your index finger. Having reached these alarming dimensions (they should not grow this big) we wondered if we had inadvertently stumbled on some mutating stimulant with our experiments in diet changes.

 

Quickly, the one we shall not name because he is Charles the fiancé of Miriam, was informed and Hubbard, after discussing the matter for an extensive period of time agreed that however unusual the enormous size of the monster was not at all out of proportions. Metusaleh of course ignored the discussion and continued eating and growing. All throughout the life of our remaining monster we noted down its behavior, eating habits and any other peculiarities that might be of use later. When I say 'later' then that most likely means in a hundred years or so when a bright young student from Oxford reads the logs and wonders what we hoped to accomplish. The poor soul might even do a dissertation on the hopeless pastimes of confused Victorians.

 

In any case all the activity surrounding the creature ceased when Helen found it all bunched up in a corner of its tank. At first she thought it had grabbed something that had fallen into the water and was now carefully dissecting it. Not at all an unusual occurrence. But when there was no movement after regular food was added, Helen grew suspicious. Using the neurological tools Hubbard always keeps on an examination bench, she carefully prodded the animal. Triops are not shy and will swim towards anything moving, but this one would do so no more. Helen then realized the animal had passed away and proceeded to do her big entrance into our kitchen. Completely unperturbed Hubbard climbed into the attic space with me following close behind. He did not immediately go towards the tank but instead opened a cabinet filled with empty glass cylinders closed off on either side with a base of dark mahogany. He picked up a glass bottle with formaldehyde and then finally made his way towards the back of the room. “Jeremy, please fill the cylinder while I take out the Triops”, Hubbard said in a formal tone. He always turned like that when he used the veil of science to shield himself from something emotional. The old man had grown quite attached to the little creature and thought the two had much in common. As I was filling the Triop’s last resting place I saw Hubbard carefully take out the animal and place it on a piece of parchment paper. “Not enough time to draw it. They don’t hold up well outside the water. Look Jeremy the structure completely collapses, just like jellyfish”, he muttered. I placed the now full container next to the parchment and watched Hubbard drop the animal inside. Hubbard kneeled; his eyes now level with the floating Triops: “Luckily I did not do any damage when I put it on the paper.”

 

There it now sits, inside a glass cylinder, looking even more menacing then when it was still chasing food and other Triops. Anything you put in a jar filled with formaldehyde will turn into something otherworldly and in the case of this animal the effect was even more bizarre. I am not sure if Hubbard will continue the experiment by hatching another cycle of larva. Personally, I would not mind seeing some innocent fish instead.

 

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Thought of the moment:
You will never do anything in this world without courage. It is the greatest quality of the mind next to honor.
-- Aristotle
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The Critical Times is a work of fiction. Many of the characters are inspired by historical figures; others are entirely imaginary creations of the author's. Apart from the historical figures, any resemblance betgween these fictional characters and actual persons, living or dead, is purely coincidental.


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